There was a four-day fundraiser called the War Dance and Carnival held May, 1917 on the Cambie Street Grounds and the adjacent ‘old’ Georgia Street Viaduct. The Carnival was sponsored by the B.C. Commercial Travellers’ Association in aid of four charities: the Red Cross Material Fund, the return of soldiers from the Great War, the Canadian Patriotic Fund, and the Royal Naval Service Fund. Entertainment at the Carnival included singing, dancing, fireworks, and acts including that by Harry Gardiner, “the Human Fly”.
The “official photographer” of the Carnival was pro photographer, Stuart Thomson (shown below in front of his studio at the corner of Georgia at Richards; he is the one standing on the tailgate of the automobile).
However, we are indebted to James Crookall, an enthusiastic and fine amateur photographer for most of the the scenes of the Carnival itself. I will be showing all of Crookall’s images of the event that are available online at the City of Vancouver Archives and will remark on each.
- Far left, a person is dressed in what appears to be a Polynesian grass skirt.
- Beatty St. Drill Hall is in the background at left (the banner hanging from the upper part of the drill hall indicates it’s the regimental home of the DCOR (Duke of Connaught’s Own Rifles).
- Few of the banners announcing sideshows are legible. The one on left announces “Taking a Wife” at the top. The third from the right reads “Igorot” at the top . Fourth banner announces “Head Hunters” and seems to say “Dance of Victory” at bottom. None of the other banners are readable by me.
- There is a sign affixed to the lamp post at far right announcing that there is a “Ladies’ Rest Room” (the smaller print below is not readable by me, although I assume it indicates where the rest room is located). Judging by the cross in the center of the sign, it appears that the rest room was a service offered by the Red Cross. For more information regarding the state of “public conveniences” in early Vancouver, see this fascinating article.
- This is one of two images by Crookall of the entry to the carnival. Tickets were purchased (just out of the frame to the left) and then bills could be exchanged for “change” for rides and other events within.
- On the far left, there is a sign posted to the wooden fence which announces that the “official photographer” is Stuart Thomson; his business address appears on the sign. What the posted sign says that is adjacent and to the right of Thomson’s sign, I do not know.
- There appears to be a figure walking on a high wire over the Cambie St Grounds. Could this be Harry Gardiner, “the Human Fly”?
- The camera, in this image is facing east (toward the Drill Hall); further evidence is the ‘punny’ “Western Front” sign announcing the carnival’s western gate beneath it. This is a wider view of the ticket gate noted earlier.
- Shows the Red Cross booth. This appears to have been located somewhere on the Georgia Street Viaduct (given the lamp post behind the booth and left); it bears a strong resemblance to Viaduct lamp posts (see also next image for more lamp posts).
- There is a sign posted on the left side of the booth pertaining to a “university platoon”. What this means, is unknown to me; the other words on the sign are unclear.
- The camera appears, in this photo, to be facing southwest (the Vancouver Block and Hotel Vancouver #2 are visible to the right of the image; the Beatty Street Drill Hall is nearer to the centre/right of the photo) and looking across the ‘old’ Georgia Viaduct. The viaduct was closed to vehicle traffic during the carnival.
- Note the streetcar tracks on the Viaduct; they were installed when the viaduct was constructed, but were never used (for safety reasons; the original viaduct was very poorly constructed).
- In this photo, the camera is facing northeast; the Georgia Viaduct is visible behind the “Ice Cream and Soft Drinks” sign.
- Note that the entry to this section of the carnival (with a more military tone to it with military engineering tents dominating the scene) has been decorated, apparently, to create a (sanitized) sense of walking within a ‘trench’, similar to those in which our ‘boys’ were doing in Europe. There are two sentries standing at attention (bottom right) with bayonets unsheathed!
- There is building with an Asian-styled roof, and a partly legible sign on it indicating that there are Chinese “noodles” and “tea” to be had within.
- The Main Street (then, Westminster) bridge appears to be visible to the right and in the background of the image.
- A sign at center-left announces “Graffort & Burtons Colored Musical Comedy and Minstrel Show”, including the drama of “Madam Eudora Burton”.
- To the right of the ferris wheel is a sign that reads “Ladies”. Near there, it seems safe to conclude, is where the Ladies’ Rest Room was located.
- To the far right is a tent with the annoucement on it “Your Picture Made.” This, I assume, was where Stuart Thomson, the “official photographer” of the carnival, was hanging his shingle for the duration of the carnival.
- This is a wider perspective of the earlier image showing the ferris wheel. The photographer seems to be standing just outside of the carnival site.
- The more complete Stuart Thomson sig apparently reads “Your Picture Made: While You Wait” (no small promise in 1917).
- I suspect that this very well-attended event is the crowning of Miss Vancouver (see below).
A song was commissioned of Wilson MacDonald for the carnival. It was called (unoriginally), “Song of the Carnival”. Josie Siddons was crowned “Miss Vancouver” at the Carnival; her portrait appeared on the cover of the sheet music.